奥莉

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奥莉佛是狗,(天哪!!)这家伙
导演:
/ 小田切让
剧情:
  青叶一平(池松壮亮 饰)和他的搭档——警犬奥莉佛(小田切让 饰)是鉴证科警犬系的警官。有一天,一平和往常一样和奥莉佛一起结束了早上的训练。课长要求他们,以及同事柿崎(本田翼 饰)和三浦(冈山天音 饰)出任务。此时的他们还不知道,自己将被卷进奇妙不可思议的事件。
奥莉维娅1951
导演:
/ Jacqueline Audry
主演:
剧情:
  大概是法国第一部描写女同志的故事片吧。  Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.  French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
奥莉佛是狗,(天哪!!)这家伙续篇
导演:
/ 小田切让
剧情:
  鑑識課警察犬係の青葉一平が相棒の犬オリバーと不可解な事件に挑むさまが描かれる本作。シーズン2は、2021年秋に放送されたシーズン1の10日後という設定だ。
奥莉佛是狗,(天哪!!)这家伙 续篇
导演:
/ 小田切让
剧情:
  鑑識課警察犬係の青葉一平が相棒の犬オリバーと不可解な事件に挑むさまが描かれる本作。シーズン2は、2021年秋に放送されたシーズン1の10日後という設定だ。
奥莉维娅
导演:
/ Jacqueline Audry
主演:
剧情:
  大概是法国第一部描写女同志的故事片吧。  Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.  French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.